Ariel Pink “pom pom” review: weird, wonderful and divisive

In the coming months, “pom pom,” Ariel Pink’s latest LP of satire-laced goof-pop, will serve as an unwitting litmus test. It will play at a party, and the room will part like boys and girls at a middle school dance: some ready to dance and sing feverishly with the de facto DJ to its songs about Jello, frog princes and “goth bombs,” while the rest beg them to turn it off.