Live review and photo essay, Monolith, Day 1: Rockin' at Wet Rocks
By Ricardo Baca | September 13th, 2009 | No Comments »Also amazing were Pains of Being Pure at Heart, five brunettes who threw down a sweet-natured collection of songs that sounded like an aggressive take on twee — like a gutsier Belle & Sebastian. And while others have made the same link to that Scottish outfit, the likenesses in Pains’ live set were simply uncanny.
Of Montreal took a while to find the right sound mix, but once they did, the theatrical indie/psych pop group played a sterling set that spanned from an early “Suffer For Fashion” to a late “Heimdalsgate Like a Promethean Curse.” They sounded druggier than normal, and frontman Kevin Barnes wasn’t without his emo asides.
But the most impressive thing about the Of Montreal set was the bounce of the cement floor that tops Red Rocks. It was like being in Denver’s Mercury Cafe or Portland’s Crystal Ballroom the way it rolled and bounced with the jumping crowd.
Frightened Rabbit played a valiant mainstage set early in the afternoon, but their closet melodies weren’t enough to fill the space. And while Cotton Jones isn’t as charming as frontman Michael Nau’s former band, Page France, the god-fearing, indie twangsters still know their way around a melody. Playing one of the indoor rooms, Cotton Jones was responsible for one of the day’s most memorable moments, taken from “Where You Stop For a Minute:” “Home is where you stop for a minute and clean your teeth,” Nau sang.
D.C. group These United States played a sweaty set early in the day in a downstairs room, and after closing with the brand-new single “I Want You to Keep Everything,” it was clear that they were one of the day’s stars.
Boulder Acoustic Society seemed a little stiff in their performance, but their songs, including “We Tried,” were lovely and pitch-perfect.
The accordion solo was especially nice.
Ricardo Baca is the founder and co-editor of Reverb and an award-winning critic and journalist at The Denver Post. He is also the executive director of the Underground Music Showcase, Colorado’s premier indie music festival. Follow his whimsies at Twitter, his live music habit at Gigbot and his iTunes addictions at Last.fm.
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