Live review: The Killers @ Red Rocks Amphitheatre | Reverb — Reverb Music — The Denver Post

Live review: The Killers @ Red Rocks Amphitheatre

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Brandon Flowers’ seamless melding of rock influences guided the Killers through their Red Rocks set on Wednesday night. Photos by Brian Carney.

At 9:15 p.m., an hour after the Nervous Wreckcords had finished their set, the Killers took the stage at Red Rocks Amphitheatre. The restless audience had packed themselves to the uppermost general admission rows, coming within a few hundred seats of selling out the 9,450 seat capacity venue. I was ready to see anything at that point other than the group of mid-20s revelers sitting next to me drink more beer, take more pictures of themselves and continually scream, “Let’s get it on!” in my ear.

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The Las Vegas band, named after an obscure reference to the bass drum of a fictional band in a New Order music video, opened with “Human,” from their 2008 release, “Day and Age.” The monotone stage production looked crisp and clean, and the band lived up to the inspiration of its name.

Incredibly bright lights flashed and strobed from the zebra rug-covered stage. Unsettling animation in the style of Ray Harryhausen flashed onscreen behind the stage. One sequence during “Bones” depicted the classic scene on the beach between Burt Lancaster and Deborah Kerr in “From Here to Eternity,” the actors morphing into skeletons when the waves crashed over them.

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The Killers are synth-pop chameleons. Though possessing their own sound in lead singer Brandon Flowers’ powerful voice, they wear their influences proudly as devotees of the Cars, Morrissey, Bowie, the Beatles, Pet Shop Boys, U2 and Queen. Bowie, in fact, was quoted after seeing them live as “…having just witnessed the history of rock and roll in one show.” A compliment — however, embedded in it may have been a jab at the Killers’ mastery of incorporating influences into their sound.

Flowers took a few minutes to catch his breath, exclaiming, “We’ve been spending time at sea level, I’m feeling it up here!” He proceeded to climb a large rock next to the stage to serenade us with “Bling (Confession of a King).” It was easy to forget about how long it took the band to come onstage during “Somebody Told Me” and “Change Your Mind.” Flowers hit his stride, seemingly adjusting to the altitude on “Mr. Brightside.”

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  • Name

    Nice review. Hmm someone is like me and likes it when Brandon's playing the bass… ;)

  • Name

    what the heck is help me out

  • http://twitter.com/Sean_G_Kennedy Sean Kennedy

    Good catch! I referenced the lyrics “I’ve got soul but I’m not a soldier” as being from the song, “Help Me Out.” The song is actually titled, “All These Things That I've Done.” Appreciate your close review and correction.

  • ormshenk

    I really liked this review. I was there and it was an awesome concert! Is there an actual review in the paper with a playlist?

  • johnwenzel

    Nope, just online.

  • http://twitter.com/Sean_G_Kennedy Sean Kennedy

    Good catch! I referenced the lyrics “I’ve got soul but I’m not a soldier” as being from the song, “Help Me Out.” The song is actually titled, “All These Things That I've Done.” Appreciate your close review and correction.

  • ormshenk

    I really liked this review. I was there and it was an awesome concert! Is there an actual review in the paper with a playlist?

  • http://www.denverpost.com/reverb John Wenzel

    Nope, just online.

  • http://twitter.com/Sean_G_Kennedy Sean Kennedy

    Good catch! I referenced the lyrics “I’ve got soul but I’m not a soldier” as being from the song, “Help Me Out.” The song is actually titled, “All These Things That I've Done.” Appreciate your close review and correction.

  • ormshenk

    I really liked this review. I was there and it was an awesome concert! Is there an actual review in the paper with a playlist?

  • http://www.denverpost.com/reverb John Wenzel

    Nope, just online.